On this page:
Call for Art - The First Wolfgang and Luke Young Artists Spring Exhibition Contest - for details click here
New Product - Mosaics by Clarisa Marcus
Ongoing: The Art of Heather Smiley - Artist Reception at Private Residence November 18 2023, Gallery Opening December 9 2023
Past Exhibit: Doug Ball Exhibit - Gallery Opening Nov 4 2023, Artist Reception at the Gallery Dec 2 2023, running til Dec 31 2023
Past Exhibit: 4.5 Years with Vivian (kid’s art) Exhibition running September - November 2023
Past Exhibit: Stuart Allison Hindle installation March - August 2023
Call for Art Entries
- The Young Artists Spring Exhibition Contest -
go to the Events or Young Artists pages to get more info.
Mosaics by local Artist Clarisa Marcus
Clarisa Marcus embarked on her art career in California before pursuing a Bachelor's degree in Studio Art from Hood College and a Master's degree in Art Education from George Mason University. Known for her exceptional talent in mosaic art and ceramics, Clarisa draws inspiration from Virginia's captivating nature and scenic views. She shares her artistic expertise by teaching 3D studio art, mosaics, ceramics, and jewelry, enriching the lives of her students with her profound knowledge and passion for the arts.
The Art of Heather Smiley
Artist Reception at a Private Residence November 18 2023
Opening at the Gallery December 9 2023
Instagram Handle @heathersmileyart
November 4 - December 31 2023: Doug Ball
Instagram Handle @emil_douglas
ABOUT THE ARTIST
I was born in Norfolk and raised in Northern Virginia. My work in the arts began in Washington, DC, as an actor and set designer at Arena Stage and at The Folger Theatre. After attending Drama School in London I moved to New York City where I acted in, designed, or produced plays off-Broadway and regionally. My most notable role was appearing at the Williamstown Theatre Festival opposite Olympia Dukakis in Tennessee Williams’ Orpheus Descending. In 1981, I won both an OBIE Award and the New York Theatre Wing’s Maharam Award for co-designing the set for Request Concert, directed by Joanne Akalaitis. In NYC I studied figure drawing at the Art Students League and maintained an art studio in Hoboken, NJ. In 1981 one of my artworks, “Rimbaud Record”, was selected for the seminal Times Square Show, which featured early works by Basquiat and Keith Herring. I also became involved in film production design and worked on several major motion pictures in Los Angeles and Manhattan. In the 1980s and 90s I was the production designer for the PBS Series, “From the Brothers Grimm”, American adaptations of traditional folktales, all filmed in Virginia. In the mid 1980s I studied painting with prominent DC artist, William Woodward. During that time I was a member of the Rappahanock Artists’ Co-op and showed my work in multiple exhibits at the Middle Street Gallery in Washington, VA. In 1985 I conceived and produced a regional art show, “The Artists of the Blue Ridge,” in Sperryville, VA.
More recently my work has been exhibited at the Arlington Arts Center, (New Visions/Vibrant Memories, 2022, Dia de los Muertos, 2016). In March 2020, I mounted a one-man exhibit of my paintings at the Falls Church Art & Frame Gallery. Since 2019, my paintings have been marketed locally in the Urban Farmhouse Store’s fine arts collection in Arlington, VA.
DESCRIPTION of Artwork: I work primarily in oil paint. My style and subject varies from abstract to figurative. I am mainly a studio artist but prefer plein air painting, especially in locations around the Shenandoah Valley. I paint landscapes, still lifes, cityscapes, and portraits. I characterize much of my artwork as “l’arte pour l’arte”, but I also paint to process and express my feelings about current social justice issues; my reactions to gun violence, facism, racism, and immigration. I am influenced by Giotto, Goya, and modern masters (Manet, Cezanne, Picasso) as well as by folkloric art from different cultures. Having grown up in Northern Virginia many of my works express my feelings about the changes that development and increased multiculturalism have brought.
September 6 - November 30 2023: 4.5 Years with Vivian
(Full Pamphlet Available in the Gallery)
This is an exhibition to simply showcase one child’s “start” as an artist, finding the colours she likes, her own brushstroke techniques, textures, application of various media. Gradually, she demonstrates the ability to draw shapes, faces, expressions, limbs, and then comes the compositions of a person holding a balloon, then friends shown as multiple happy people and bunnies. A happy sun. A building. And the ability to sign her works by herself.
Collaborative works with her mom usually involve the slightest addition by mom, or assistance.
In the case of Carnival 1, mom started the canvas with the things that Vivian loved most at the time: balloons and popsicles. Then Vivian was presented with the prepped canvas to make her additions. Carnival 2-5 featured the same approach with mom making the background and then Vivian applying the other items.
In Post Its and Paper, Vivian asked mom to draw items and then would try to copy, resulting in a smattering of post it artwork, compiled onto a canvas and painted by mom to commemorate those “parallel play” works. This would develop into Vivian making sketches and then tearing around the image to glue onto paper or in the case of the Torn Paper Pieces, onto canvas, building the case for the Guggenheim Drawings composition.
In June 2023, mom took Vivian to NYC for the first time to visit the Guggenheim’s “Year with Children 2023” exhibit, to see the works in person. Upon entering the exhibit room, Vivian ran to each station, took them in, relating to what had been created by and reflected the children themselves. Vivian took out her sketch pad and drew up a bunch of drawings of people she saw in the gallery that day, and those portraits were applied to a canvas that Vivian had previously used – in that previous painting session, she had attempted to draw a face but since her early faces started with one large eye and then a second small eye, she was discouraged by the fact that the eyes were such different sizes and she stopped that painting prematurely. Mom decided to take that beginning painting and deriving direct inspiration from her daughter’s work, transformed those beginnings into a large, happy being, retaining the original tendency for one larger eye. This proved to make Vivian and mom smile – success.
So far we have seen Vivian’s first painting, drawing, brush-head painting, recognizable attempts at drawing faces, composition, and now we arrive at her first painted composition of a bunny - her favourite animal. Note the use of the full canvas. It is also important to note that Vivian would always have a sese of when she was finished a painting and walked away from the canvas.
Art with a child is fast and messy and so exciting. It is a wonder to facilitate them by making sure paint tubes get their caps back on fast enough, meanwhile letting them make their own creative decisions in colour, placement and execution on the canvas. Some folks think that kids just like to muck things around, and to some extent that is true while they experiment with the substance, but there also exists intent very early on as well.
In terms of colours, Vivian squeezed paint onto the canvas then learned to eventually mix the colours while on the canvas, and then off the canvas in a mixing tray, then apply onto the canvas. In “Punchy,” this was a drastic move from mixing all the colours to keeping them deliberately separate and placed next to each other.
Vivian and mom Sylvanna VanderPark are artists of the SV Studios group, found at www.svstudio.art to see the family legacy of artists and complete portfolios.
Vivian was born January 12 2019 and is a preschooler at a parochial school in Northern Virginia.
March 30 - August 21 2023: Stuart Allison Hindle
Instagram Handle @stuartahindle